REVIEW: ‘The Whisperer In Darkness’

Albert Wilmarth (Matt Foyer) unfortunately finds "the Whisperer in Darkness".
Albert Wilmarth (Matt Foyer) unfortunately finds "the Whisperer in Darkness".
Albert Wilmarth (Matt Foyer) unfortunately finds "the Whisperer in Darkness".

Nothing good is easy.

I’m sure I’m not the first person to say that but I will tell you to carve that in stone. Be it in work, play, life or love; it’s just one of those universal truths. And while we’re on the subject, let’s add this little nugget onto that list: the stories of H.P. Lovecraft are difficult to adapt to film. There may be some of you snickering at that remark because you know the vast amounts of understatement I just used. For those who haven’t clambered aboard the Lovecraft bandwagon, please allow me to explain. Lovecraft’s favorite themes had to do with the vastness of infinity and how unknowable it was to mankind’s limited existence. Often, his protagonists would encounter something so mind shattering that it could not be described, explained or even named.

Now try filming that on a typical Hollywood budget.

And not even a big typical budget, but the below ten million dollar budget usually relegated for horror films – which with the current popularity of the cinéma vérité movement in horror, that number is probably closer to just one million dollars. Especially since Hollywood and mainstream audiences demand spectacle from their movies: you have to show the monster. Unnameable and unshowable usually lead you straight to unfilmable.

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REVIEW: ‘The Devil Inside’

Right now, somewhere in the dark, cobweb-dusted recesses of my mind, a rabbit and a duck argue. Familiar voices bicker back and forth…

“Rabbit season!”
“Duck season!”
“Rabbit season!”
“Duck season!”

It goes on like this for some time until a disheveled young girl in a pea soup-stained nightgown approaches, slaps them both senseless and growls, “exorcism season.”

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