Tales From The Big Chair: When the Party’s Over

I don’t think I have ever had a moment in my life define the word “bittersweet” for me as much as wrapping this film is. As we draw to a close on principal photography, it feels strange that I will have free time on my weekends. It feels strange that I will not have a house full of actors and crew trying to get ready in my one small bathroom, while I run around dragging props and equipment out to my truck yelling out the countdown clock to them the whole time.
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REVIEW: ‘The Purge’

The gang's all here for "The Purge".

There was one of those internet card memes going around that, in essence, said: “I’m looking forward to the Zombie Apocalypse. Then I can go around and shoot all the stupid people.” I think the actual language is more succinct and most likely, a little more colorful but you get the gist. People are looking forward to the day when they can just go around and punish people indiscriminately.

“The Purge” gives us a little insight into what might happen when that day comes.

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REVIEW: ‘Aftershock’

The Gringo (Eli Roth) and Monica (Andrea Osvárt) lend Ariel (Ariel Levy) a hand in "Aftershock".

Ever have one of those days? You know the kind: the ones that start out with you sleeping through your alarm, followed by running out of hot water in the middle of your shower, and then by cutting your face to ribbons while you dry shave. There’s cereal, but no milk; coffee but no filters. The day never gets any better from there, in fact, each new disaster is worse than the one before.

In a nutshell, that’s “Aftershock”.
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REVIEW: ‘The Last Exorcism, Part 2’

Nell (Ashley Bell) tries to keep the evil at bay in "The Last Exorcism: Part 2".

In nature, mimicry and camouflage are used as a defense against predators. Whether it is the protective coloring of some species or even the clever anatomy of a stick bug, these mechanism help protect the weak or otherwise helpless. Hollywood has taken this idea and, of course, applied it to films, allowing lesser movies to ride the coattails of better movies to make money they don’t deserve.

Just like, “The Last Exorcism: Part 2”
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REVIEW: ‘My Amityville Horror’

Daniel Lutz recounts the 28 days in "My Amityville Horror".

If you’d gone through my book bag any time during my seventh or eighth grade year, you probably would have found a very worn, very well-loved copy of Jay Anson’s “The Amityville Horror”. Though, for years, I’d fed myself a steady diet of strange-but-true books, this was my first taste of something that seemed immediate, tangible and truly frightening. While I’d love to say that I discovered girls or something healthy like that to divert my attentions, I instead discovered “StarBlazers” and Carl Sagan’s “Cosmos”. Science swept away spirits and spooks, at least for me. For others, the horror continued.
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“Dead Shadows” Gets Distro

I remember seeing this trailer for David Cholewa’s “Dead Shadows” ages ago and thinking how wonderfully insane it was. But since that first sighting I didn’t see much else about it – which in my opinion was a damned shame. I’m a fan of French horror and to see a French Lovecraftian film – well, that would just be the bee’s knees.

Provided they do it right.
Oh, and provided it gets released.
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