Toon Time for Chainsaw Sally

I got my first taste of Chainsaw Sally from April Burril – Sally herself – at a tiny little film festival in Texas a few years ago. I wasn’t quite sure what to expect since it wasn’t something I’d usually watch, but I decided to give it a chance. I wasn’t disappointed. And now, two web seasons and a couple of movies later, Sally is moving on to cut a bloody swath into new territory.

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Tales From The Big Chair: When the Party’s Over

I don’t think I have ever had a moment in my life define the word “bittersweet” for me as much as wrapping this film is. As we draw to a close on principal photography, it feels strange that I will have free time on my weekends. It feels strange that I will not have a house full of actors and crew trying to get ready in my one small bathroom, while I run around dragging props and equipment out to my truck yelling out the countdown clock to them the whole time.
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REVIEW: ‘The Purge’

The gang's all here for "The Purge".

There was one of those internet card memes going around that, in essence, said: “I’m looking forward to the Zombie Apocalypse. Then I can go around and shoot all the stupid people.” I think the actual language is more succinct and most likely, a little more colorful but you get the gist. People are looking forward to the day when they can just go around and punish people indiscriminately.

“The Purge” gives us a little insight into what might happen when that day comes.

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REVIEW: ‘Aftershock’

The Gringo (Eli Roth) and Monica (Andrea Osvárt) lend Ariel (Ariel Levy) a hand in "Aftershock".

Ever have one of those days? You know the kind: the ones that start out with you sleeping through your alarm, followed by running out of hot water in the middle of your shower, and then by cutting your face to ribbons while you dry shave. There’s cereal, but no milk; coffee but no filters. The day never gets any better from there, in fact, each new disaster is worse than the one before.

In a nutshell, that’s “Aftershock”.
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