Imagine if you will, Rod Serling reading this to you…
“There is a place where time stands still. A bubble in which some genre movies exist where the conventions, themes and patterns haven’t changed since the 1980s. There’s the signpost up ahead: Now playing, The Butchers.“ Continue reading “REVIEW: ‘The Butchers’”
A couple of the hardest things to do in filmmaking are comedy and horror. It’s right up there with creating a billion-dollar blockbuster or dealing with anyone whose initials are Lindsay Lohan. There is a delicate alchemy in the creation of each that is unique to the individual. Fortunately, both genres give you broad targets to shoot at… and if no subject is taboo, then your chances are hitting the mark are much greater. Continue reading “REVIEW: ‘Conjoined’”
Feel free to call me crazy now, but a long time ago – when I was far more fearless and impulsive than I am now – I had a brief interaction with a ghost.
The girl I was living with at the time said she had suspected there was one living in our house. So, one day – after scant few preparations – I set out to talk to it, to help it move on. I thought I was being nice. So, long story short, I asked it to let me know if it was there. Immediately I felt a tingling on my upper arms, as if someone had laid their hands on me. It was a bit of a surreal moment; one I couldn’t help thinking of while watching “The Casebook of Eddie Brewer”.
Continue reading “REVIEW: ‘The Casebook of Eddie Brewer’”
In the name of full disclosure, I have to say here that I donated to the “Sacrament” crowdfunding effort. I got a t-shirt. Additionally, I know Shawn Ewert. Shawn Ewert is a friend of mine and you sir, are no Shawn Ewert.
Continue reading “REVIEW: ‘Sacrament’”
There was one of those internet card memes going around that, in essence, said: “I’m looking forward to the Zombie Apocalypse. Then I can go around and shoot all the stupid people.” I think the actual language is more succinct and most likely, a little more colorful but you get the gist. People are looking forward to the day when they can just go around and punish people indiscriminately.
“The Purge” gives us a little insight into what might happen when that day comes.
Continue reading “REVIEW: ‘The Purge’”
Ever have one of those days? You know the kind: the ones that start out with you sleeping through your alarm, followed by running out of hot water in the middle of your shower, and then by cutting your face to ribbons while you dry shave. There’s cereal, but no milk; coffee but no filters. The day never gets any better from there, in fact, each new disaster is worse than the one before.
In a nutshell, that’s “Aftershock”.
Continue reading “REVIEW: ‘Aftershock’”
In nature, mimicry and camouflage are used as a defense against predators. Whether it is the protective coloring of some species or even the clever anatomy of a stick bug, these mechanism help protect the weak or otherwise helpless. Hollywood has taken this idea and, of course, applied it to films, allowing lesser movies to ride the coattails of better movies to make money they don’t deserve.
Just like, “The Last Exorcism: Part 2”
Continue reading “REVIEW: ‘The Last Exorcism, Part 2’”
If you’d gone through my book bag any time during my seventh or eighth grade year, you probably would have found a very worn, very well-loved copy of Jay Anson’s “The Amityville Horror”. Though, for years, I’d fed myself a steady diet of strange-but-true books, this was my first taste of something that seemed immediate, tangible and truly frightening. While I’d love to say that I discovered girls or something healthy like that to divert my attentions, I instead discovered “StarBlazers” and Carl Sagan’s “Cosmos”. Science swept away spirits and spooks, at least for me. For others, the horror continued.
Continue reading “REVIEW: ‘My Amityville Horror’”
It’s no secret to my contemporaries, I am a horror snob. For the most part, I keep my recent viewing list to a select list of strong films that challenge me mentally and emotionally. It’s quite a shame really since some of the more delightful delicacies of the horror genre are so deliciously low. You shouldn’t always have to eat filet mignon constantly – every now and again you need a nice big juicy burger with a big kosher pickle and French fried potatoes.
In that case, serve me up a nice order of “The Collection.”
Continue reading “REVIEW: ‘The Collection’”
I’m not going to sit here and tell you that “Sinister” is the best horror movie I’ve seen this year. Or how it broke new ground in the genre. Quite honestly, it may or may not be and it really didn’t do anything new. But, if I were to describe it in a few words, it would be simple, scary, effective and honest.
Continue reading “REVIEW: ‘Sinister’”