Back in 2011, Daniel Stamm’s “The Last Exorcism” absolutely rocked my world. It developed good solid characters, a good story and, for 90% of the movie, they honored the first rule of found footage films and kept me well rooted in the world they created. To me, it was a near perfect little nugget of horror.
Of course, this means that Hollywood had to try to squeeze a sequel out of it.
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